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Danielle Lisbôa

Biography

Conductor, pianist and scholar. Professor of Music at Concordia University of Edmonton and Artistic Director and Chief Conductor of the Capital City Symphony.

Black and white portrait of Danielle Lisbôa holding a baton

Brazilian-Canadian conductor, pianist and scholar Danielle Lisbôa is a dynamic force on the podium, redefining the boundaries of the modern symphony through cross-cultural programming.

Creative, bold and adaptive, Lisbôa's work bridges rigorous Western tradition and a global future. Her symphonic programming frequently integrates diverse soundscapes, from the Middle Eastern oud, Chinese guzheng and Indian sitar to the South American cavaquinho, into the classical canon, creating a fresh concept of music-making.

She holds the position of Professor of Music at Concordia University of Edmonton in the areas of conducting, chamber music and music theory, while also extending her presence in the Edmonton community as Artistic Director and Chief Conductor of the Capital City Symphony.

Her rapid ascent in the Canadian music scene began with Orchestra Toronto, where she rose from apprentice to Music Director in a single season. Her 2024/25 season reflected her international reach, with performances with the Moravian Philharmonic Orchestra in the Czech Republic and the UNIRIO Symphony Orchestra in Brazil.

Lisbôa holds a Doctorate in Orchestral Conducting from the Eastman School of Music, University of Rochester. Her artistic output is multifaceted: an avid chamber musician, she performs regularly on the piano, favouring repertoire by underrepresented global composers. As a clinician, she leads international workshops and has recently been a visiting scholar at Southwest University in Chongqing, China, and the Université catholique de l'Ouest in Angers, France.

A passionate speaker, she advances pluralism in classical music and explores modern leadership frameworks. Her recent speaking engagements include the International Conductors Guild Conference in Valencia, Spain, the 2026 Canadian Opera and Orchestra National Conference, and the 2026 PCMA Canada East Canadian Innovation Conference in Edmonton.

Speaking engagements Electronic press kit

Orchestra and choir performing under Danielle Lisbôa in a wood-panelled concert hall

Electronic press kit

Biographies, photos, video and the one-page EPK

Complete press kit

Everything in this press kit in one download, for presenters and the press.

Download the press kit ZIP, 11.9 MB

One-page EPK PDF, 318 KB

  • The one-page EPK PDF
  • Biographies, At a glance, endorsements, video links, audience feedback and photo credits Word
  • Five headshots JPG
  • Four action photos JPG
The one-page EPK: Danielle Lisbôa's name, portrait, biography and key facts on a single page

At a glance

Orchestral Conductor

Guest conducting inquiries

lisboamaestrina@gmail.com
Current positions
Professor of Music (Conducting & Theory), Concordia University of EdmontonArtistic Director and Chief Conductor, Capital City Symphony
Core expertise
Symphonic & Operatic Repertoire, Cross-Cultural Programming, Contemporary Premieres, Youth & Community Engagement.
Select past leadership
Music Director and Conductor, Orchestra Toronto
International engagements
Southwest University Symphony Orchestra (Chongqing, China)CSO Chamber Nucleus European Tour (Switzerland, Austria, Liechtenstein, Italy)Université catholique de l’Ouest (France)National Academy for the Performing Arts (Trinidad and Tobago)Federal University of the State of Rio de Janeiro (Brazil)
Education & honors
DMA in Orchestral Conducting (Eastman School of Music)MM in Conducting (University of Houston)BMus (Federal University of Rio de Janeiro)
Speaking & advocacy
Keynote speaker on alternative leadership frameworks, women and leadership on the podium, immersive technologies in conductors’ training, multisensory technologies to deliver multidimensional audio and visual experiences.
Base
Edmonton, Alberta, Canada.

Biography

Download (Word)

Brazilian-Canadian Danielle Lisbôa is a visionary orchestral conductor, pianist, and scholar renowned for dynamic podium leadership, adventurous cross-cultural programming, and audience engagement.

Upon arriving in Canada, Lisbôa made an immediate mark with Orchestra Toronto, advancing rapidly from apprentice to Assistant Conductor, and subsequently to Music Director and Conductor. Her tenure was marked by a steep surge in attendance, groundbreaking youth outreach initiatives, and cutting-edge repertoire. She later directed Bellus Barbari (Toronto Women’s Symphony Orchestra) on its inaugural Ontario tour.

Currently, Lisbôa serves as Professor of Music in the areas of conducting and music theory at Concordia University of Edmonton. On the podium, she has reimagined the orchestral concert experience by intertwining standard symphonic repertoire with global instrumental traditions, incorporating instruments such as the Middle Eastern oud, Asian guzheng, South American cavaquinho, and Indian sitar. In 2024, she led the Concordia Chamber Nucleus on a tour across Switzerland, Austria, Liechtenstein, and Italy as both conductor and pianist.

An internationally recognized guest artist and educator, Lisbôa has served as a visiting scholar with the Southwest University Symphony Orchestra in Chongqing, China, leading a two-week summer orchestral program, and with the Université catholique de l’Ouest in Angers, France, where she presented conducting workshops and masterclasses.

Her research explores women and podium leadership, the transcription and analysis of indigenous sacred rituals in Brazil, and immersive technologies applied to conductors’ training. Lisbôa is also a passionate speaker on diversity and leadership and has addressed audiences at the University of Porto, the Federal University of the State of Rio de Janeiro, the International Conductors Guild Conference in Valencia and the Orchestras Canada National Conference.

Lisbôa holds a Doctor of Musical Arts in Orchestral Conducting from the Eastman School of Music and a Master of Music with an opera conducting emphasis from the University of Houston, having commenced her professional musical journey as a concert pianist and conductor in Rio de Janeiro. She is based in Edmonton, Alberta.

High-resolution photos

Each photo at full size, with its dimensions. All nine are also in the complete press kit.

Headshots

  • Danielle Lisbôa standing on a staircase landing, holding a baton
    JPG, 864 x 1080, 142 KB Photo: Tyler Baker Photography Download
  • Danielle Lisbôa seated on an antique sofa, holding a baton
    JPG, 771 x 1080, 122 KB Photo: Tyler Baker Photography Download
  • Danielle Lisbôa seated on an antique sofa beside a lamp, legs crossed, holding a baton
    JPG, 771 x 1080, 203 KB Photo: Tyler Baker Photography Download
  • Danielle Lisbôa behind an open grand piano in an ornate room, holding a baton
    JPG, 1080 x 864, 104 KB Photo: Tyler Baker Photography Download
  • Danielle Lisbôa seated in front of a grand piano with an open score, holding a baton
    JPG, 4080 x 3057, 2.8 MB Download

Action photos

Endorsements

While Danielle was with Orchestra Toronto, she instilled a new passion for music within our musicians as well as our Board and audience. It became almost routine that our audiences would provide a standing ovation at each concert that she led.
John Kingston Chair of Orchestra Toronto (2015)
I have wanted to hear the orchestra for several years and was delighted with your work and this really dedicated group of musicians – I know that you have helped them immensely – I hope to hear more of you and the orchestra soon again.
Betty Webster Founder of Orchestras Canada (2013)
[Danielle Lisbôa] is an outstanding conducting talent. In my opinion, she possesses the versatility, integrity, and experience to handle a music directorship or academic post anywhere in the country.
Franz Anton Krager Music Director and Chief Conductor, Texas Music Festival

Audience feedback

From audience letters to Orchestra Toronto.

You could tell she was born to be a conductor. ... Then came Beethoven’s seventh symphony. I heard it many times but never in such an original interpretation.
Adrian Gheron
[She] brought a whole new dimension to the musical experience.
John & Alma Boyd
I was totally unprepared for the emotional impact of their inspired performance of Pictures at an Exhibition.
Marie Manger Beamish
Many of our families had never experienced a concert of this caliber.
Patricia Thompson, on behalf of the Camp Cucumber families
We really enjoyed how [she] told the story that went along with each piece.
Larisa Renée
The programme was outstanding! Thank you Danielle for introducing NEW and EXCITING works to us.
Michael Bronstorph